Nicole Hua

EXP 3 - THE BRIDGE

THEORY

"Pieces of a larger whole"

Goodwin, Dario. 2018. "Spotlight: Christian De Portzamparc". Archdaily.

https://www.archdaily.com/627659/spotlight-christian-de-portzamparc?ad_medium=gallery

One Point Perspective Sketches

Perspective 1
Generic Unit.

Perspective 2
Basic pieces.

Perspective 3
Simple but Cohesive

Perspective 4
Forced and Irregular.

Perspective 5
Striking as it is Unique.

Perspective 6
Symmetrical yet Vast.

Two point Perspective Sketches

Perspective 4
Forced and Irregular.

Perspective 6
Symmetrical yet Vast.

- Lumion Moving Elements -

Metal Louvres that automatically adjustable to shade the interior throughout the day. Similarly, timber boards that can retract and extend to allow light or shade throughout the day. They also create interesting shadow casts within the interior with the use of daylight.

The Plan & Section

Design 1

Plans/ Sections used:

Zaha Hadid_Vitra Fire Station

Zaha Hadid_Opera Hall

Zaha Hadid_Irish Prime Minsters House

Possible Bridge Inspiration

Design 1
Illustrator overlaying of images with varying opacities.

Design 2

Plans/ Sections used:

OMA: Rem Koolhaas_Seatle Public Library

Mies Van Der Rohe_ Brick House

Tokyo Ito_Sendai Mediatheque

Design 2

[Illustrator overlaying of images with varying opacities]

Draft 1 of Design 2 in Lumion

Space Arrangement -

36 Textures

- In model -

Fluid

Fractured

Linear

Scalar

Draft 2 Design - Real Time Images

Gallery

Lecture Theatre

Meeting Room for Students

Studio Space

Outside Space

Final Design - Real Time Images

The design relates to "Pieces of a larger whole" as the plans/sections are used in such a manner that they have been fitted together like puzzle pieces with varying elements forced together. The external facades also are a play on the idea of difference pieces like a puzzle all placed together to create a single purpose. This furthers the theory of smaller pieces to create a larger whole.

The design of this building not only acts as one connecting all the differing spaces but the idea that each intended space can remain individually as a stand alone, like a piece of an entire whole as seen in the space arrangement, whilst maintaining connection to the other spaces.

- Gallery -
The Gallery has two levels of differing floor layouts that are connected by the atrium that cuts through the middle of the entire building. This relates to my theory as different elements uneven walls, decorative timber walls and large glass panels have been design together as one whole space.

- Workshop -
Uneven, scattered design that resembles a maze or puzzle in comparison to the other spaces within the building. It is open to the outside and consists of several difference levels that overlook one another, creating one whole large space relating to my theory of pieces to make a larger whole.

- General Space -
The idea from the workshop space is repeated in these two areas as they are irregular compared to the rest of the spaces within the building and create a sense of conflict between the two different designs however these spaces are designed to optimise the purpose of each individual space and create a cohesive connection of several varying types of spaces. Furthering the nature of the theory in regards to individual pieces connected to create a single purpose.

The bridge design is simple but purposeful as it connects the general spaces to the roundhouse, providing further entertainment and relaxation options for students. This relation also connects the general spaces and bridge as one whole purpose of relaxation and freedom.

Overall the building design creates a sense of freedom and playfulness to it's design and intentions by the creation and mash up of contrasting features in the space design and arrangement.

SketchUp Model & Lumion Final Design Files

Feedback Sheets

INTRODUCTION TO EXPERIMENT 2

Two architects.

The list of concepts relating to the two chosen architects:

Louis Kahn

Balkrishna Doshi

Deceased: Louis Kahn

He establishes a hierarchy of spatial organisation in that primary spaces are often centralised, whereas secondary spaces are placed on the fringes.
Focusing on the functionality whilst giving life to architecture
The materiality and method of assembly of the building should be clear to anyone who sees it, this creates a grander sense of weight and presence.
Form did not necessarily follow the function.
"Each space should have its own shape and form."
He juxtaposes both materials and geometry, using not only conventional materials like concrete, but also using timber in unexpected ways.
"All matter is made up of light, and matter casts shadows, and the light and shadows make a space."
There is a relationship between servant and served spaces, whereby servant spaces like stairways and corridors facilitate the function of the served living spaces.
Emphasis placed on strong geometric forms of the building, which in turn dramatically influences its relationship to light.

Living: Balkrishna Doshi

Interrelationship between indoor and outdoor spaces.
Drawing in natural light through forms which in turn diffuses light and creates ambience.
Traditionally geometric shapes are made to look new through materiality.
Brutalism and ruggedness of raw materials such as brick and concrete.
"Landscape is the primary architectural mediator, the ground and building are in separable."
Relates his architecture to the history of his home country of India. Brutalist form relates to the skilled craftsmen of his culture.
Flexible rather than rigid approach to the structure.
Responding to the tropical climate of the site.
The use of columns to define a space
The Buddhist caves of Ajamta and Ellora inspired Doshi to design the interior with circles and ellipses.
The architecture features overlapping layers and transitional areas which encourages fluid and adaptable living conditions, customary in Indian tradition.

6 Axonometric Sketches

-Louis Kahn-
"Emphasis placed on strong geometric forms of the building, which in turn dramatically influence its relationship to light"

-Doshi Balkrishna-
"Drawing in natural light through forms which in turn diffuses light and creates ambience"

-Doshi Balkrishna-
"Flexible rather than rigid approach to structure"

- Louis Kahn-
"Emphasis placed on strong geometric forms of the building, which in turn dramatically influence its relationship to light"

- Louis Kahn -
"Each space should have its own shape and form"

- Doshi Balkrishna -
"Interrelationship between indoor and outdoor spaces"

Initial Axonometrics

- Louis Kahn-
"Emphasis placed on strong geometric forms of the building, which in turn dramatically influence its relationship to light"

-Doshi Balkrishna-
"Flexible rather than rigid approach to structure"

3 Parallel Projections & Electroliquid Aggregation

Doshi Balkrishna - "Flexible rather than rigid approach to structure"

Louis Kahn - "Emphasis placed on strong geometric forms of the building, which in turn dramatically influences its relationship to light"

Electroliquid Aggregation Test (on SketchUp)

Experimentation on the different affects of electroliquid aggregation on either concepts within the UNSW Campus Model on SketchUp.

Test 1

Electroliquid Aggregation: Kahn Concept

Test 2

Electroliquid Aggregation: Doshi Concept

Doshi Balkrishna - "Drawing in natural light through forms which in turn diffuses light and creates ambience"

Louis Kahn - "Emphasis placed on strong geometric forms of the building, which in turn dramatically influences its relationship to light"

Doshi Balkrishna - "Interrelationship between indoor and outdoor spaces"

Louis Kahn - "Each space should have its own shape and form"

Developed Parallel Projection & Electroliquid Aggregation in Lumion

- On Site Context -

36 Custom Textures

36 Custom Textures from DARK to LIGHT

-In Model-

DARK
Used on Light Rail underpass.
Rigid structure contrasting the curvilinear concept.
The darkness is emphasised in the underpass to create a shadow affect and allow for the overall design to remain minimal.

MEDIUM
Used on Light Rail supporting wall.
Each space has it's own shape & form creating a fluid space connection.
MEDIUM texture is used as it is neither too dark or light to disrupt the minimal style of the stop.

LIGHT
Used on Light Rail supporting wall
Flexible and free orbs that contrasting the rectilinear concept and creating a subtle link to the curvilinear concept.
LIGHT texture is used to allow for the light rail stops style to remain minimal.